Prompts

Five exclusions, appended unchanged to every shot. The discipline isn't choosing them well — it's not improving them on shot four.

The same sentence that works in Create will produce jitter in Motion and a wrong edit in Edit. Each field expects a different kind of writing.

An adjective in a prompt colours the whole clip. An inline trigger lands on one syllable. For a sixty-second cap, that difference buys back seconds.

The standard advice says paste the same description into every shot. That works until you have a reference system, at which point it's the thing breaking your continuity.

Restate your subject descriptors identically. Not better, not shorter, not improved — identically. Improving the phrasing is what breaks the chain.

The twelve-word rule has three separate reasons behind it, and knowing which one you're breaking tells you whether it matters.

Shot, subject, action, light, constraint. Everything else is decoration.